That rock ‘n’ roll center returns and gets twisted up into messy snags and snarls with his new band, FUZZ. The acoustic tracks were still layered with curious and intimate textures, but they were a far cry from the rock ‘n roll center of Twins.
Little did we know, he was just reloading.Īugust saw the release of his new, excellent, and mostly acoustic solo record Sleeper, an album that fell in line with his other, more pop-based Drag City records and yet showed a surprisingly fragile side to Segall’s sound. Though interesting, they seemed like stop-gap stuff to fill an unusually long gap in new output from Segall. First, there was a mining of the past in reissues of both a record by his old band, the Traditional Fools, and a originally tour-only collaboration with Mikal Cronin. The glut of releases is nothing new, but what that material comprised marked a few changes in the Segall’s musical world.
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